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008 | 250829b bg ||||| |||| 00| 0 eng d | ||
020 | _a9780520296435 | ||
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_aBDCtgAUW _cBDCtgAUW _dBDCtgAUW |
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050 | _aGT3415.J3 B37 | ||
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_a Bardsley, Jan _eAuthor _978070 |
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_aMaiko Masquerade: _bCrafting Geisha Girlhood in Japan |
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_aOakland, California: _bUniversity of California Press, _c2021 |
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300 |
_a283 pg; _c24 cm |
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520 | _aMaiko Masquerade explores Japanese representations of the maiko, or apprentice geisha, in films, manga, and other popular media as an icon of exemplary girlhood. Jan Bardsley traces how the maiko, long stigmatized as a victim of sexual exploitation, emerges in the 2000s as the chaste keeper of Kyoto's classical artistic traditions. Insider accounts by maiko and geisha, their leaders and fans, show pride in the training, challenges, and rewards maiko face. No longer viewed as a toy for men's amusement, she serves as catalyst for women's consumer fun. This change inspires stories of ordinary girls--and even one boy--striving to embody the maiko ideal, engaging in masquerades that highlight questions of personal choice, gender performance, and national identity | ||
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_a Geishas _xHistory _y21st century. _zJapan _zKyoto _978071 |
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650 |
_a Popular culture _xHistory _y 21st century. _zJapan _978072 |
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_2lcc _cBK _n0 |
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_c14787 _d14787 |
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887 |
_28 _aPapia Akter |
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888 | _28 |