000 | 01679nam a22002297a 4500 | ||
---|---|---|---|
003 | BDCtgAUW | ||
005 | 20250829182420.0 | ||
008 | 250829b bg ||||| |||| 00| 0 eng d | ||
020 | _a9780520379817 | ||
040 |
_aBDCtgAUW _cBDCtgAUW _dBDCtgAUW |
||
050 | _aN7353.5 .G884 | ||
100 |
_aGuth, Christine _eAuthor _978058 |
||
245 |
_aCraft Culture in Early Modern Japan: _bMaterials, Makers, and Mastery |
||
260 |
_aOakland, California: _bUniversity of California Press, _c2021 |
||
300 |
_a252 pg; _c21 cm |
||
520 | _aCrafts were central to daily life in early modern Japan. They were powerful carriers of knowledge, sociality, and identity, and how and from what materials they were made were matters of serious concern among all classes of society. In Craft Culture in Early Modern Japan, Christine M. E. Guth examines the network of forces--both material and immaterial--that supported Japan's rich, diverse, and aesthetically sophisticated artifactual culture between the late sixteenth and mid-nineteenth centuries. Exploring the institutions, modes of thought, and reciprocal relationships among people, materials, and tools, she draws particular attention to the role of women in crafts, embodied knowledge, and the special place of lacquer as a medium. By examining the ways and values of making that transcend specific media and practices, Guth illuminates the 'craft culture' of early modern Japan | ||
650 |
_aArt, Japanese _y Edo period, 1600-1868. _978059 |
||
650 |
_aWomen artisans _xHistory _zJapan _978060 |
||
650 |
_aLacquer and lacquering _xHistory _zJapan _978061 |
||
650 |
_aArt and technology _xHistory _zJapan _978062 |
||
942 |
_2lcc _cBK _n0 |
||
999 |
_c14784 _d14784 |
||
887 |
_28 _aPapia Akter |
||
888 | _28 |