000 | 01829cam a2200337 i 4500 | ||
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001 | 23115853 | ||
003 | BDCtgAUW | ||
005 | 20250310132203.0 | ||
008 | 230505s2023 nyu b 000 0deng | ||
010 | _a 2023019120 | ||
020 | _a9781593767358 | ||
040 |
_aDLC _beng _erda _cBDCtgAUW _dDLC |
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042 | _apcc | ||
043 | _an-us--- | ||
050 | 0 | 0 | _aCT275.G55763B47 |
100 | 1 |
_aSycamore, Mattilda Bernstein _eauthor. _975860 |
|
245 | 1 | 0 |
_aTouching the Art / _cMattilda Bernstein Sycamore. |
264 | 1 |
_aNew York : _bSoft Skull, _c2023. |
|
300 |
_a292 pages ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references. | ||
520 |
_a"Taking the form of a self-directed research project, Sycamore recounts the legacy of her fraught relationship with her late grandmother, an abstract artist from Baltimore who encouraged Mattilda as a young artist, then disparaged Mattilda's work as "vulgar" and a "waste of talent" once it became unapologetically queer. As she sorts through her grandmother Gladys's paintings and handmade paperworks, Sycamore examines the creative impulse itself. In fragments evoking the movements of memory, she searches for Gladys's place within the trajectories of midcentury modernism and Abstract Expressionism, Jewish assimilation and white flight, intergenerational trauma and class striving"-- _cProvided by publisher. |
||
650 | 0 |
_aArtists _xFamily relationships _zUnited States. _975861 |
|
650 | 0 |
_aCreation (Literary, artistic, etc.) _975862 |
|
887 |
_28 _aPapia Akter |
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906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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942 |
_2lcc _cBK _n0 |
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999 |
_c13882 _d13882 |
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888 | _28 |