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Sharing a House with the Never-Ending Man: 15 Years at Studio Ghibli

By: Material type: TextTextPublication details: Berkeley, California: Stone Bridge Press, 2020Description: 292 pages; 22 cmISBN:
  • 9781611720600
Subject(s): LOC classification:
  • PN1999.S93 A47
Summary: An American's unique behind-the-scenes look at Japanese business and how the animated films of Hayao Miyazaki were introduced to the world. This highly entertaining business memoir describes what it was like to work for Japan's premiere animation studio, Studio Ghibli, and its reigning genius Hayao Miyazaki. Steve Alpert, a Japanese-speaking American, was the 'resident foreigner' in the offices of Ghibli and its parent Tokuma Shoten and played a central role when Miyazaki's films were starting to take off in international markets. Alpert describes hauling heavy film canisters of 'Princess Mononoke' to Russia and California, experiencing a screaming Harvey Weinstein, dealing with Disney marketers, and then triumphantly attending glittering galas celebrating the Oscar-winning 'Spirited Away'. As the lone gaijin (foreigner) in a demanding company run by some of the most famous and influential people in modern Japan, Steve Alpert tackles his own challenges of language and culture.
Holdings
Item type Current library Collection Shelving location Call number Status Date due Barcode Item holds
Books Asian University for Women Library Non-fiction General Stacks PN1999.S93 A47 (Browse shelf(Opens below)) Available 033054
Total holds: 0

An American's unique behind-the-scenes look at Japanese business and how the animated films of Hayao Miyazaki were introduced to the world. This highly entertaining business memoir describes what it was like to work for Japan's premiere animation studio, Studio Ghibli, and its reigning genius Hayao Miyazaki. Steve Alpert, a Japanese-speaking American, was the 'resident foreigner' in the offices of Ghibli and its parent Tokuma Shoten and played a central role when Miyazaki's films were starting to take off in international markets. Alpert describes hauling heavy film canisters of 'Princess Mononoke' to Russia and California, experiencing a screaming Harvey Weinstein, dealing with Disney marketers, and then triumphantly attending glittering galas celebrating the Oscar-winning 'Spirited Away'. As the lone gaijin (foreigner) in a demanding company run by some of the most famous and influential people in modern Japan, Steve Alpert tackles his own challenges of language and culture.

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