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How to be Both

By: Material type: TextTextPublisher: London, England : Hamish Hamilton, 2014Description: 371 pages ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780141025209
Subject(s): LOC classification:
  • PR6069.M4213 H69
Summary: "SHORT-LISTED FOR THE MAN BOOKER PRIZE Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith's novels are like nothing else. How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life's givens get given a second chance"-- Provided by publisher.Summary: "The brilliant Booker-nominated novel from one of our finest authors: How to Be Both is a daring, inventive tale that intertwines the stories of a defiant Renaissance painter and a modern teenage girl. How can one be both--near and far, past and present, male and female? In Ali Smith's new novel, two extraordinary characters inhabit the spaces between categories. In one half of the book, we follow the story of Francescho del Cossa, a Renaissance painter in fifteenth-century Italy who assumes a duel identity, living as both a man and a woman. In the novel's other half, George, a contemporary English teenage girl, is in mourning after the death of her brilliant, rebellious mother. As she struggles to fill the void in her life, George finds her thoughts circling again and again around a whimsical trip she and her mother once made to Italy, to see a certain Renaissance fresco... These two stories call out to each other in surprising and deeply resonant ways to form a veritable literary double-take, bending the conventions of genre, storytelling, and our own preconceptions"-- Provided by publisher.
Holdings
Item type Current library Shelving location Call number Copy number Status Date due Barcode Item holds
Books Asian University for Women Library Fiction PR6069.M4213 H69 (Browse shelf(Opens below)) 01 Available 030276
Total holds: 0

"SHORT-LISTED FOR THE MAN BOOKER PRIZE Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith's novels are like nothing else. How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life's givens get given a second chance"-- Provided by publisher.

"The brilliant Booker-nominated novel from one of our finest authors: How to Be Both is a daring, inventive tale that intertwines the stories of a defiant Renaissance painter and a modern teenage girl. How can one be both--near and far, past and present, male and female? In Ali Smith's new novel, two extraordinary characters inhabit the spaces between categories. In one half of the book, we follow the story of Francescho del Cossa, a Renaissance painter in fifteenth-century Italy who assumes a duel identity, living as both a man and a woman. In the novel's other half, George, a contemporary English teenage girl, is in mourning after the death of her brilliant, rebellious mother. As she struggles to fill the void in her life, George finds her thoughts circling again and again around a whimsical trip she and her mother once made to Italy, to see a certain Renaissance fresco... These two stories call out to each other in surprising and deeply resonant ways to form a veritable literary double-take, bending the conventions of genre, storytelling, and our own preconceptions"-- Provided by publisher.

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