Sharing a House with the Never-Ending Man: 15 Years at Studio Ghibli
Material type:
- 9781611720600
- PN1999.S93 A47
Item type | Current library | Collection | Shelving location | Call number | Status | Date due | Barcode | Item holds | |
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Books | Asian University for Women Library | Non-fiction | General Stacks | PN1999.S93 A47 (Browse shelf(Opens below)) | Available | 033054 |
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PN1042.K39 A Critical Review of Introduction to Poetry | PN1995.9.S47 R68 The Routledge Companion to Cinema & Gender | PN1996 .K48 How to Write a Movie in 21 Days : The Inner Movie Method | PN1999.S93 A47 Sharing a House with the Never-Ending Man: 15 Years at Studio Ghibli | PN4874.H52 A5 Arguably: Essays | PN5407.T4 K73 Broadcasting Politics in Japan: NHK and Television News | PN6112.P58 Plays in one act / |
An American's unique behind-the-scenes look at Japanese business and how the animated films of Hayao Miyazaki were introduced to the world. This highly entertaining business memoir describes what it was like to work for Japan's premiere animation studio, Studio Ghibli, and its reigning genius Hayao Miyazaki. Steve Alpert, a Japanese-speaking American, was the 'resident foreigner' in the offices of Ghibli and its parent Tokuma Shoten and played a central role when Miyazaki's films were starting to take off in international markets. Alpert describes hauling heavy film canisters of 'Princess Mononoke' to Russia and California, experiencing a screaming Harvey Weinstein, dealing with Disney marketers, and then triumphantly attending glittering galas celebrating the Oscar-winning 'Spirited Away'. As the lone gaijin (foreigner) in a demanding company run by some of the most famous and influential people in modern Japan, Steve Alpert tackles his own challenges of language and culture.
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